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Acknowledgements 1

List of Abbreviations 1

Introduction 1

Chapter One Escaping the Drawing-room Party:Reconstructing Female Identity,Rewriting the Courtship Plot 40

1.1 "A Lady Has to Spend Her Life in the Drawing-room":Victorian Drawing-room and the Construction of Gender Identity 45

1.2 Party in the Colonial"Wild"in The Voyage Out 63

1.3 Drawing-room Resistance in Night and Day 92

Chapter Two "The Party [...]Begins in the Kitchen":Domestic Servants and Modernist Narratives 112

2.1 Kitchen and the Construction of Class Identity in the Victorian House 117

2.2 In Between the Kitchen and the Drawing Room:The"Georgian Cook"and Woolf's Literary Modernism 125

2.3 Clarissa's Party:The Kitchen Perspective in Mrs.Dalloway 138

2.4 The Servant's Hand behind Mrs.Ramsay's Dinner:Aestheticizing the Moment of Interruption in To the Lighthouse 158

Chapter Three Parties in Liminal Houses:Outsiders and the De-familiarization of the Family Saga 175

3.1 "An Englishman's Home Is His Castle":Victorian Home and Nation Revisited 186

3.2 "An Abominable System":Woolf's Critique of the Victorian Ideology of Home and Nation in The Years 192

3.3 "We Dine in the Basement":Remolding the English Home,Reworking with"Externality"in The Years 199

Conclusion 240

Notes 252

Bibliography 295